![]() ![]() ![]() The four-direction joystick that's featured on previous GFX cameras has been replaced by a wider, flatter textured nub, that allows diagonal control as well as vertical and horizontal. The eight-way rubber control nub sits within easy reach of your thumb as you grip the camera. However, in our experience with the GFX 100, we found that the lack of any motion correction means it really only works for completely static subjects, such as artwork reproduction. This both boosts the chroma resolution and the overall pixel count of the image. This moves the sensor between each exposure, first to ensure that a red, green and blue pixel has been captured for each location, then to do the same again at a slight offset. The image stabilization mechanism is also used to provide a sixteen-shot high-resolution mode. You can see the effect of this in our sample gallery, where we're consistently getting high levels of resolution, even at relatively slow shutter speeds. This Sync IS system uses both lens and body IS to correct pitch and yaw, just as Panasonic, Olympus and Canon systems do.įujifilm has managed to create an IS mechanism for the GFX 100S that is both smaller and more effective than the one in the original GFX 100.Īs usual, we find CIPA ratings (which only assesses pitch and yaw correction) tend to over-state the benefit somewhat, but a 6EV rating should make it much easier to obtain the full benefit of the GFX 100S's resolution. On top of this, the new system can synchronize with OIS lenses to maintain this level of correction even with longer focal lengths. This is half a stop more than the GFX 100's rating and is possible with more lenses, giving a rated 1EV improvement with most combinations. Just as Fujifilm has been able to continue to miniaturize the IS systems used in its X-H1, X-T4 and X-S10 models, it's also been able to reduce the size of the mechanism from the original GFX 100 to allow it to fit in a smaller body.ĭespite the size reduction, the new mechanism is more effective than the one that precedes it: rated to correct up to 6EV of shake. Image stabilizationĬore to the GFX 100S is the inclusion of in-body image stabilization. A conventional mode dial and movie/stills switch replace the GFX 100's button-within-a-dial arrangement on the camera's left shoulder. The GFX 100S has a control layout very similar to that of the original, dual-grip GFX 100, with a large LCD top plate display and a comparable number of custom buttons. However, the company says that in contrast to the 50R, a DSLR-style body, with the viewfinder assembly on the top of the camera, was required in order to make the inclusion of an image stabilization system practical. The use of a smaller battery and fixed viewfinder have helped significantly slim-down the GFX100S (left), relative to the original 50MP GFX 50S (right).įujifilm has applied a lot of the downsizing efforts that went into its more rangefinder-like 50R camera here in the GFX 100S, resulting in a camera that’s appreciably smaller than the original GFX 50S and the dual-grip GFX 100. It's available now for a recommended price of $5,999. ISO 6400 | 1/100 sec | F11 | GF 120mm F4 Macroĭespite offering most of the capability of the twin-grip GFX 100, the 100S is significantly less expensive. Out-of-camera JPEG using the Provia film simulation. Lossy, lossless or uncompressed Raw in 16 or 14-bit.Fixed 3.69M-dot OLED EVF with 0.77x equiv.2.36M-dot rear touchscreen with two-axis tilt.Multi-shot 400MP mode for static subjects.4K video at up to 30p with HDMI output of 10-bit 4:2:2 or 12-bit Raw footage. ![]() Continuous shooting at up to 5 fps with C-AF. ![]()
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